Some portraits are better left on the wall.

When Jamie buys an old painting because of its uncanny resemblance to his girlfriend, Hannah, she is less than impressed.

But there is something unsettling about the woman in the portrait. Something about her eyes. The way she seems to watch them. And Hannah becomes increasingly convinced that the woman in the painting isn't quite as still as she should be.
Then Jamie starts watching her too.

As fascination turns to obsession, Hannah finds herself competing with a woman who has been dead for more than a century.

But Maeve has been waiting a very long time to be noticed.